Message in a Bottle Series

I never met my grandfather, but he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing fragments of letters he wrote as a young soldier during WW1 “in conversation” with my own fabrics (fabric remnants, threads or fabrics/materials used) on this intimate scale, I hope to capture something about the connection of hands, hearts and DNA.  We all have lineage stories that run through our lives, whether we are awake to it or not. Creating this has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 11" x 11" framed (blonde frame) $330

12" x 12" Mixed Media on Panel (acrylic, Japanese rice paper, WW1 letters, graphite)   $350

I never met my grandfather, but "re-"realized he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing his letters written as a young soldier during WW1 “in conversation” with my fabrics (fabric remnants, threads or fabrics/materials I've found or used) on this intimate scale, I hope to capture something about the connection of hands, hearts and DNA.  We all have lineage stories that run through our lives, whether we are awake to it or not. Creating this has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 11" x 11" framed   $330 with frame

I never met my grandfather, but "re-"realized he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing his letters written as a young soldier during WW1 “in conversation” with my fabrics (fabric remnants, threads or fabrics/materials I've found or used) on this intimate scale, I hope to capture something about the connection of hands, hearts and DNA.  We all have lineage stories that run through our lives, whether we are awake to it or not. Creating this has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 10" X 10"   $275

I never met my grandfather, but he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing fragments of letters he wrote as a young soldier during WW1 “in conversation” with my own fabrics (fabric remnants, threads or fabrics/materials used) on this intimate scale, I hope to capture something about the connection of hands, hearts and DNA.  We all have lineage stories that run through our lives, whether we are awake to it or not. Creating this has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 10" x 10"   $275

I never met my grandfather, but "re-"realized he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing his letters “in conversation” with my fabrics (fabric remnants, threads or fabrics/materials I've found or used) on this intimate scale, I hope to capture something about the connection of hands, hearts and DNA between us.  We all have lineage stories that run through our lives, whether we are awake to it or not. Creating this has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 11" x 11" framed   $330 framed

The Threads of Connection series was inspired by a trove of letters written by my grandfather to my grandmother when he was a young soldier in WW1. I never met my grandfather, but "re-"realized he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing his letters “in conversation” with my fabrics (fabric remnants, threads or fabrics/materials I've found or used) on this intimate scale, I hope to capture something about the connection of hands, hearts and DNA between us.  We all have lineage stories that run through our lives, whether we are awake to it or not. This exercise has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 10" x 10"   $275

The Threads of Connection series was inspired by a trove of letters written by my grandfather to my grandmother when he was a young soldier in WW1. I never met my grandfather, but was astonished when I "re-"realized he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing his letters “in conversation” with my fabrics (fabric remnants, threads or fabrics/materials I've found or used) on these intimate panels, I hope to capture something about the connection of hands, hearts and DNA between us.  We all have lineage stories, and it has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 10" x 10"   $275

The Threads of Connection series was inspired by a trove of letters written by my grandfather to my grandmother when he was a young soldier in WW1. I never met him, but was astonished when I "re-"realized he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing his letters “in conversation” with my fabrics (fabric remnants, threads or fabrics/materials I've found or used) on these intimate panels, I hope to capture something about the connection of hands, hearts and DNA between us.  It has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 10" x 10"   $275

The Threads of Connection series was inspired by a trove of letters written by my grandfather to my grandmother when he was a young soldier in WW1. I never met him, but was astonished when I "re-"realized he was a tailor and I am the only one of later generations to work with my hands and fabrics. By placing his letters “in conversation” with my fabrics (fabric remnants, threads or fabrics/materials I've found or used) on these intimate panels, I hope to capture something about the connection of hands, hearts and DNA between us.  It has also generated the question of whether this is a way to “heal backwards in time?” Mixed media 10" x 10"   $275