kitchen art

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather while he was a young soldier serving in the US Army during World War I.   He was a tailor by trade and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if the two of us are in conversation in the current moment. My hope is to capture something about this connection of hands, hearts and DNA, which points to the fact that we are all in conversation with our past (whether it's conscious or not), and perhaps we can heal backwards in time! The small scale of the work underscores the intimate nature of this conversation and reflection. $295

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather while he was a young soldier serving in the US Army during World War I.  I never met my grandfather. He was a tailor by trade and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if the two of us are in conversation in the current moment. My hope is to capture something about this connection of hands, hearts and DNA. In doing so, I aim to reflect the larger themes of belonging and love in one's ancestral lineage, to suggest that we are ALL in conversation with our past (whether it's conscious or not), and to offer the radical suggestion that perhaps we can heal family wounds backwards in time. The small scale of the work underscores the intimate nature of this conversation and reflection. $295

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this connection of hands, hearts and DNA, perhaps pointing to the fact that we are ALL in conversation with our past (whether it's conscious or not), and to offer the radical suggestion that perhaps we can heal family wounds backwards in time. The small scale of the work underscores the intimate nature of this conversation and reflection.  

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather while he was a young soldier serving in the US Army during World War I.  I never met my grandfather. He was a tailor by trade and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if the two of us are in conversation in the current moment. My hope is to capture something about this connection of hands, hearts and DNA. In doing so, I aim to reflect the larger themes of belonging and love in one's ancestral lineage, to suggest that we are ALL in conversation with our past (whether it's conscious or not), and to offer the radical suggestion that perhaps we can heal family wounds backwards in time. The small scale of the work underscores the intimate nature of this conversation and reflection. $295

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection. $295

11" x 11"  with blonde hardwood frame Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather while he was a young soldier serving in the US Army during World War I.  I never met my grandfather. He was a tailor by trade and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if the two of us are in conversation in the current moment. My hope is to capture something about this connection of hands, hearts and DNA. In doing so, I aim to reflect the larger themes of belonging and love in one's ancestral lineage, to suggest that we are ALL in conversation with our past (whether it's conscious or not), and to offer the radical suggestion that perhaps we can heal family wounds backwards in time. The small scale of the work underscores the intimate nature of this conversation and reflection. $375

10" x 10" framed (blonde hardwood) Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection.  

11" x 11" framed (blonde hardwood) Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection. $375

10" x 10" framed (blonde hardwood) Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection.  

18" x 24" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather to my grandmother while he was a young soldier serving in the US Army during World War I.  I never met my grandfather. All the artwork in this series bring forth the feelings, passions and ideas he wrote about, or are derived from the materiality of the stationery, handwriting, stains, etc. With the Colors (#2) references how immigrants held their commitment and obligation as soldiers to the American army, regardless of where they were born. The phrase "with the colors", which was printed onto some of the US Expeditionary Forces stationary, is a solemn and heartfelt term used especially by soldiers when talking about the American flag.   $725