kitchen art

12" x 12" Mixed media on wood panel Becoming embodied is part of the journey of knowing oneself and being truly present. This is not an ordinary flower sitting above the land. Instead, with its blossom bound to the ground, it suggests what it means to be fully embodied: rooted, grounded, and intimately connected to the earth beneath and the sky above. $395

12" x 12" Mixed media on wood panel Becoming embodied is part of the journey of knowing oneself and being truly present. This is not an ordinary flower sitting above the land. Instead, with its blossom tightly bound to the ground, it suggests what it means to be fully embodied: rooted, grounded, and intimately connected to the earth beneath. $395

12" x 12" Mixed media on wood panel Becoming embodied is part of the journey of knowing oneself and being truly present. This is not an ordinary flower sitting above the land. Instead, with its blossom tightly bound to the ground, it suggests what it means to be fully embodied: rooted, grounded, and intimately connected to the earth beneath." $395

36" x 36" Mixed media on wood This is part of a series inspired by 100 letters written by my grandfather while he was a young soldier serving in the US Army during World War I.  I never met him. All the artwork in this series bring forth the feelings, passions and ideas he wrote about, or are derived from the physicality of the stationery, handwriting, stains, etc. This series references how immigrants have persevered through darkness, after persecution or great despair, to find their way to a distant, more hopeful shore. Like my grandfather, who fled the pogroms of Eastern Europe and then proudly fought as a U.S. soldier in the "Great War," so many immigrants have held their commitment to America – with all its promises and pitfalls – as a deep honor and privilege. The phrase "With the Colors," which was printed onto the U.S. Expeditionary Forces stationery he used, stands as a solemn and heartfelt term for the American flag. Each painting in this series embodies the immigrant's dual perspective – like a message in a bottle drifting across vast waters, carrying hopes and memories within: one part facing backward across the ocean to family, streets and villages left behind, and one part straining forward toward an unknown horizon of possibility. Just as my grandfather's letters carried both longing and determination across the ocean, these paintings hold the tension between remembrance and reinvention that defines the immigrant experience. The phrase "with the colors" takes on deeper meaning in this context – not just allegiance to a new flag, but the act of carrying one's own colors, one's own culture and heritage, into the American tapestry. Each immigrant's journey represents both a [...]

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection. $295

10" x 10" framed (blonde hardwood) Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection. $295

20" x 20" Mixed media on wood panel This piece is one of a series that emerged from a set of 100 letters written by my grandfather to my grandmother while he was a young soldier serving in the US Army during World War I.  I never met my grandfather. Separated from my grandmother by the unforgiving landscape of war, my grandfather offered remarkably sophisticated instructions for her to manage her anxiety and loneliness in one of his letters.  He guides her to visualize their eventual embrace, to hold that image and feeling with intentional clarity, and then to allow genuine joy to fill her heart. "This is how I am coping everyday," he writes, "I find it to be the best remedy." As a student of Eastern wisdom traditions, I was immediately struck by the remarkable parallels between his intuitive approach to her suffering and ancient contemplative practices for mental transformation. The artwork Remedy #5 emerges from this profound moment of intimate wisdom, exploring how imagination can become a powerful tool for emotional well-being.   $695  

11" x 11" framed (blonde hardwood) Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection. $375

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics (in this case fibrous papers and threads from my silk clothing), it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection.   $295 without frame $350 framed    

10" x 10" Mixed media on wood This piece is one of a series that emerged from a set of 100 letters written by my grandfather, whom I never met, while he was a young soldier serving in the US Army during World War I.   He was a tailor and I, too, work creatively with my hands and fabrics. By placing his letters together with my fabrics, it’s as if we are in conversation in the current moment. My hope is to capture something about this lineage of hands, hearts and DNA. There are so many ways in which we are all in conversation with our past -- whether it's conscious or not. And what if this also means we can heal "backwards" in time? The small scale of the work underscores the intimate nature of this conversation and reflection.